Michael-Francis Cartwright

oil on linen

73 x 93 cm

 

 

In 2020 we flew into Paris from Australia on a cold February.  We headed for Étratat. The Australian artist, John Russell had painted there, friend of Van Gogh and of Monet who he also painted with on Belle Île, and later Matisse who credits him with introducing him to the impressionists techniques and colour.  I had been enthralled by this artist since I was a child when my father, also a painter, was given the chance to buy a car load of his work!  John Russell paints like the wilds, an artist cut loose from any bonds of conservatism that may have lingered on in that early white Australian life style, a wild new White Australian returned to Europe in the 1880’s.  I wanted to devour some of his spirit, to feel the momentum of his paint and transfer that onto my canvases.

 

En 2020, nous avons pris l’avion à Paris depuis l’Australie par un froid mois de février.  Nous nous sommes dirigés vers Étratat. L’artiste australien John Russell y avait peint, ami de Van Gogh et de Monet avec qui il avait également peint à Belle Île, et plus tard de Matisse qui lui attribue le mérite de l’avoir initié aux techniques et aux couleurs impressionnistes.  J’étais fasciné par cet artiste depuis mon enfance, lorsque mon père, également peintre, a eu la chance d’acheter une voiture pleine de ses œuvres !  John Russell peint comme dans la nature, un artiste libéré de tous les liens du conservatisme qui ont pu subsister dans le style de vie des premiers Australiens blancs, un nouvel Australien blanc sauvage retourné en Europe dans les années 1880.  Je voulais dévorer un peu de son esprit, sentir l’élan de sa peinture et le transférer sur mes toiles.

Michael Francis Cartwright

2019

oil on linen

73 x 93 cm

 

 

Winter in Normandy. The light sharp and clear.

The shadows of the lording stark white cliffs marking the sea black,

the sun piercing through, creating dazzling patches on an opalescent sea.

 

catalogue number MFCP100

 

Michael Francis Cartwright

2019

oil on linen

73 x 93 cm

 

 

Home to me all the years of my childhood, I know this place.

I know the great surge of the sea as it pounds against the cliffs, that crumble and change with every year,

the sea that retreats from the land and leaves these beautiful mossy pools in the rocks

that are left from the eroded shore, purple and green , irridescent in the summer light.

 

catalogue number MFCP107

 

Michael Francis Cartwright

2018

oil on linen

150 x 150 cm

€10,000

 

Summer in Provence. Glorious last light, blinding in its immense exit from the edge of the earth.

The great cliffs over La Ciotat folding abruptly into the sea.

Luminous brilliant colour wrapping the world before it sleeps.

 

catalogue number MFCP01

Michael Francis Cartwright

2018

oil on canvas

46 x 55 cm

 

Summer in Provence. Glorious last light, blinding in its immense exit from the edge of the earth.

The great cliffs over La Ciotat folding abruptly into the sea.

Luminous brilliant colour wrapping the world before it sleeps.

 

catalogue number MFCP04

Michael Francis Cartwright

2018

oil on canvas

46 x 55 cm

 

 

catalogue number MFCP05

Michael Francis Cartwright

2019

oil on linen

93 x 73 cm

 

Michael Francis Cartwright

2014

oil on linen

73 x 93 cm

 

“(the exhibition) includes paintings from the Scariff islands in County Kerry, (or the Islands of the Kings), Cill Rialaig, 2014 series which were spawned from a residency at the Cill Rialaig Art Project during November 2013.  These evocative paintings of the Islands of the Kings call to mind the most beautiful paintings of Belle-Ille by another great Australian painter, the impressionist, John Peter Russell…”   Dr Shireen Huda  (Art Gallery of New South Wales)

 

Michael Francis Cartwright

2014

oil on linen

73 x 93 cm

 

This series of paintings came from our second residency at the Cill Rialaig Art Project in county Kerry, Ireland. Every morning before sunrise I would leave our old miners cottage perched on the cliffs over looking the ocean to paint the changing colours of the weather coming in from the Great Atlantic. The wind could be so strong it would whip the water up from the surface in little cyclones, like Willy Willies whipping up dust in the Australian outback, they would skip along the coast and scream like banshees.

Michael Francis Cartwright

2014

oil on linen

73 x 93 cm