An excerpt from Hugh Becker’s newsletter to friends.
Hugh and his wife, Debs, took time from renovating their Sussex cottage to make the grand trek over to our village for the opening of the studios.
Our arrival on the Riviera marked a distinct change of pace from the sleepy idyll of Correns, bordered by the crystal clear River Argens. Planning for our trip to this part of Provence began in February, when Aussie sculptors Shona Nunan and Michael Cartwright emailed an invitation to the opening of their new studios. We replied with alacrity and searched for accommodation the same day. Even so, the nearest bed yet to be booked was some seven kilometres away in the less engaging village of Cotignac.
Over five stories of a once derelict village centre building, Shona and Michael have created a series of very special places within which to sculpt, paint and display their work. At the typically informal formal opening on Thursday evening, the jovial Mayor of Correns, (Michael Latz), made effusive reference to the added value that such rare injections of renovation, artistic activity and commerce can make to a small rural community. The cosmopolitan flavour was palpable – even more so than at their previous exhibition at Australia House in June 2018 – and the evening made memorable for the richness and diversity of exhibits as well as appreciative friends, clients and agents who filtered up and down the worn, stone stairs from floor to floor.
And then, the next evening, came the celebratory party. Parties come in all guises and sizes, but this one was close to perfection. The location was a partly ruined castle-cum-chateau set on a massive mound in the centre of the village. The pre-supper concert and post supper dancing took place in an open air space, no doubt once, while still roofed and furnished, the baronial hall. On Friday the traditional Provençale musicians played flute, drum and a curious hybrid stringed instrument whose parentage owed something to a guitar, cello and violin, being alternately strummed, plucked and caressed by a bow. The music, evocative of the medieval troubadour genre, was punctuated randomly by swifts, shrieking as they flew over our heads in tight formation, flirting with gargoyles and threading through frameless window voids. The overall effect was magical and, later, as Thursday became Friday and stars twinkled in the canopy above, the paved floor seemed to warm to the patter of gambolling feet – some more sprightly than others!
Here, in the heart of Correns, fortunate visitors to Shona and Michael’s studios will discover an effortless fusion, a compelling juxtaposition between the legacy of traditional artisans and cutting edge sculpting. The venerable stone in the vaulted cellars and whitewashed walls of the upper floors embrace a joyful explosion of creative talent, and our abiding memory is one of the ancient and modern in perfect harmony.
To visit the studios of Shona Nunan and Michael Francis Cartwright please make an appointment by writing to:
call +33 (0)7 87 99 22 37
Lovely description, and photos, thank you, very pleased to have experienced it through you.25th July 2019 at 3:47 pm