We are honoured to announce the family, Nunan-Cartwright,have been invited by the High Commissioner, The Honourable Alexander Downer, to exhibit our sculptures at the Centenary celebrations of Australia House in London, 2018.
We are so proud to be showing our art in the iconic Australia House, with our two beautiful boys, both men now, and esteemed artists in their own right, Jacob and Sollai. Amazing to be showing as a family and to feel the history of ourselves and the language we have each built up in our art, emerging into this exhibition. Michael and I have been dedicated since we met in 1981 to our path as artists, always allowing our dreams to be our guiding light in our uncertain world. I guess the family lineage of artists on both sides has made it easier to ignore conventional boundaries and we have all pursued a path suited to our own creativity and joy of being.
Our pathways have led us overseas to many beautiful countries where we have been influenced by the ancient cultures and traditions that peek through modern living and also an abundant natural world that connects us to the earth we live on. Currently, Michael and I live between Italy, France and Australia, while Jacob lives in Tuscany, Italy and Sollai lives in Berlin, Germany. As recent Australians, we have somehow emerged artistically free, without attachment to the cultural mores of the civilizations our families left behind from Europe. The culture we had to observe in Australia was the one belonging to the original people and this we have been deeply influenced by, though it is not our own. The source of this culture, its earthiness and honouring of earth, water and sky, has given each of us our strength in our own work, referring always to it and adding to it the significant archetypal meanings of life discovered throughout the world in all the great ancient civilizations.
Thus, with our connection to Australia deeply held in our work, the themes of our sculptures for this exhibition at Australia House honour the elements of earth, sky and water, the essence of living in a contemporary world.
I am sitting in the corner looking over a beautiful exhibition of art work by the La Rondine artists in ZZHK Gallery in Hong Kong. We have secured this lovely space over an incredibly busy period in the art month of Hong Kong. Art Basel is next week and so are a number of subsidiary art fairs, all vying for attention, to say nothing of the many galleries, all with their openings every night of the week and even mornings of next week.
Our openings, (we had two, one was a special collector’s evening and the other was an open celebration), were in the lull before the storm. How lucky are we to have had such great attendance. Sandra Walters, art consultant and art dealer, hosted the collectors evening on Monday night. We were sponsored by Absolut vodka so Marc Danays, a master mixologist and partner to one of our artists, Sarah Danays, created the beautiful La Rondine cocktail, using vodka, lychee liqueur, curacao, guava juice, lemon juice and basil – yummo, it was much appreciated on a very warm evening.
As my eye roves the gallery space, I pick up on a powerful photograph by Jacob Cartwright, of a blue naked woman bowed under the chains of industry. Jacob’s technique is really interesting, using photography without computer manipulation, he takes photographs of environments, in this case, HK, and projects them onto his model, then photographs her under special lighting and the projection. The effect is an abstraction of form that creates his emotional connection to life without the seeming objectivity of photography. Jacob lives on the side of a sunny hill in Tuscany, overlooking the plains of Lucca. He tends an olive grove and imports its oil, one of the finest in the world, to America. He was born and bred in the arts and was a gifted child in music. Today he is a composer and photographer. His photography is a visual reflection of his lyrical soul. The story of his four photographs represent the earth mother. The mother reflecting life upon herself, as in ‘Flower’, where she rises like an innocent child from a garden, herself the garden. ‘Chained in Blue’ is industry, ‘Construct’ is the city, ‘Tape’ is man’s creativity. Much of Jacob’s work is about life reflecting on its essence. He loves the reflection.
Interspersed throughout the room are the small photographic portraits of people, many now gone from life, from the village of Montefegatesi. Candido Martinelli is an Italian New Yorker. He lives now, back in his beloved Tuscany, high in the mountains in a picturesque village that was witness to ancient battles between the Ligurians and Romans, and earlier still to the passage of Hannibal and his elephants… The stories in these tiny village top mountains abound and the early days of Candido, were the war years. He was shot through the leg as a young child by German SS hunting down the partisans in his village, Montefegatesi. The people he grew up with in these years are the people in these photographs, scarred and beaten and toughened, like the wild unpredictable mountains they inhabit. Candido’s photographic love is portraiture. He loves the stories of human beings and with great tenderness he expresses this in these works.
Kevan Halson is a meticulous man. Everything he does is with particular attention to detail and knowledge. He lives in an ancient villa in a little village, Granaiola, in the Tuscan Appenine mountains, overlooking Bagni di Lucca, with stupendous views of valleys and rivers and multitudinous layers of mountains on mountains. Despite the grandness of his vistas, he focuses on the intricate details of life and it is perhaps this insight that has inspired his ‘Atrophy’ series. In this area of great natural and manmade beauty, there is a sense of atrophy as the life cycle of the area depletes itself. The young people have left for the cities and the old people have died, leaving behind their old homes that slowly decay as the weather gets in and the floors rot away and the voracious forests eat away the walls. Kevan captures the decay of life with beauty and acceptance. It is simply the phase before new life.
Sarah Danays, mystical and beautiful, her photograph of her created sculpture and installation, is set in a box that makes the image feel like it is floating in the night. A lot of her work comes from specially found objects and antiquities that she amalgamates with her gentle carvings of limbs in alabaster. Her story of ‘The diviner’ has significance as it was created for a beloved friend and fellow artist who died. The sacred Taoist mid-nineteenth century Chinese divination rod was joined into a carved alabaster hand. “I chose to use it, with its dragon head and Yin and Yang symbol, as protection for Mei’s spirit.” The guest photographer for this sculpture is Sinisha Nisevic – a famous fashion photographer. He was personally invited by Donatella Versace to be her Director of Photography in Milan, and has worked for everyone from Prada to Gucci, to Dior…
On a low table beneath ‘Flower’ by Jacob Cartwright, are two abstract organic forms in marble and alabaster, sculptures, by Sollai Cartwright. ‘Snow’ and ‘Twirl’. People have loved them, coming regularly to touch and fondle them, also his ‘Black Bird’ sold to his best collector. Sollai is a young and impassioned carver who lives spasmodically in Tuscany, renting studios in Pietrasanta and sometimes working on the hillside of his friend, Kevan Halson’s land. Currently he is carving black marble imported from Italy on the land of one of his collector’s in Byron Bay, northern New South Wales. “I am an artist because I believe it is the purest form of evolution and, gifted with an eye for beauty, I feel it is my responsibility and my greatest joy to bring new visions of beauty to the universe…..I carve stone because I am a man of the earth. Marble resonates with my soul and I feel that while I carve, I am giving new life to the soul within the stone….” Lovely! We have a beautiful new artist on the earth giving art back to its people.
I have known Michael’s work for many years and always I am challenged with the language of his work and always I am delighted, though my understanding can sometimes take years in formation. Michael Cartwright’s creativity is spontaneous and draws inspiration from his free interpretation of life, he is free without compromise, and it is this freedom that is ultimately human though sometimes forgotten in the rules we place around ourselves. From freedom comes the Bird form. Michael loves the story and his work can be ‘read’ and it is perhaps the bird in his work, for there are many, that reflects the state his spirit is in. Some birds he has created have lain down, ‘Reclining bird’, and seem to have come from a period when he had to rest and wait. He likes contrast with his work, so you will often find the tough and the tender within the same work. Sometimes it is expressed through texture, soft and smooth and rough and lumpy. Sometimes it is through organized, beautifully finished forms and their adhoc arrangement, irreverent of proportion. This exhibition with his work has several beautiful bird forms, ‘Reclining Bird’, Portrait of a Bird’ and ‘Nest’. He also has a large night painting of ‘Whale’ and the ‘Net’, a little gold leaf on bronze sculpture from his fishing series and the woodcut print of the ‘Fish Trap’. Definitely a nature boy!
Finally there is me! I have loved putting together this series of work from the last 20 years of my ‘Woman’ series. The ‘Woman’ series slips in and out of my creative life as I seem to go through life’s different lessons and gifts. I associate the ‘Woman’ with life’s abundance and power, its cycles, its source of creativity. I have a couple of pieces that have just been cast that I am so happy to have in the show. ‘Dance’ and ‘Woman Form’. I love seeing them in bronze, they are finished! They have been in my studio for a couple of years now, adding to the influences of my latest work. I also had two of the three sculptures I created at the CIS Artist Residency this year in the show. They are in plaster, painted to resemble bronze and they will be cast when we get back to Italy. I love the strength of one and the joy in the other. What a great period of creativity and endeavour this has been. In the meantime, Italy is calling. It is late Spring and I can only imagine the untainted blue skies and swooping swallows in all that delicious new bright green…..And a whole season of new exhibitions on at our La Rondine Gallery in Bagni di Lucca…..
La Rondine Gallery is in Hong Kong! Flying like swallows to warmer climes, the nomadic artists of La Rondine Gallery have sent their art to Hong Kong. Seven of us will be represented here, at Gallery ZZHK, a lovely space with an eclectic, almost Parisian character, in a small laneway, Wu Lane, just off Hollywood Rd in Central. The exhibition is from 14th till 28th May. We are really excited. In celebration of our inaugural flight and for the opening night, Marc Danays, a high profile master mixologist, has created the artists’ cocktail and called it La Rondine. Absolut Vodka is sponsoring us and has supplied the vodka for the drink. It’s amazing to have been offered this opportunity to show our work at this high time of the HK Basel Art Fair, when collectors are everywhere about town and all the galleries are pumping.
Our artists are great!! Jacob Cartwright, Kevan Halson, Sarah Danays, Sollai Cartwright, Candido Martinelli, Michael Cartwright, Shona Nunan. They range from 74 years of experience and love for the arts to 24 years of age, the youngest no less for his age. They are photographers, sculptors, painters, drawers; creating marble sculpture and bronzes from the famed studios of Michaelangelo’s Pietrasanta; photography of mountain people, reflections and exquisite atrophy; themes of ancient myth, the human journey, the balance of life; the artist’s hand representing the spiritual beauty of our world culture.
Michael and I have been here in Hong Kong for the last three weeks. We brought over in our luggage huge frames and photographs, lugged them up fifty million stairs to our little room on Hollywood Rd. We also sent over a box of marble and bronze sculptures which have arrived and surround us on every available space in our room. Our room would make a great gallery at the moment, one person at a time to view an amazing selection of art. I love lying in bed at night with the art perched up all around us, the energy huge, and it will be strange to be without it when finally the work goes down into the gallery.
We have been so busy since we arrived here. We have an Artist in Residence at the Chinese International School in North Point. It has been great to be here, in our studios everyday, working . We have heaps of lovely visitors, young students, teachers, parents, cleaners – it has been really beautiful. Every night we almost fall into bed but not before doing all the funny bits and pieces you have to do to get an exhibition ready; press releases, invitations, meetings with sponsors, hunting supermarkets and drink places for ingredients for our La Rondine cocktail, invitation lists….. Our energy gets expanded to the max when we come here.
On a late summer’s day last year, under a pergola dripping in wisteria and overlooking splendid vistas, a thought was born to a philanthropist and his friends, to have an art festival in Ponte a Serraglio. For years we had all been coming here, and every year another one or two shops would close down. It seemed unbelievably sad that such a beautiful and elegant town with such a salubrious history should disappear, becoming shabbier over the years and less and less inviting to visit.
As with all intrinsically beautiful places, artists are already attracted to this town with its gracious old buildings and surrounding mountains and walks up to the ancient spas. An artist group got together on the bridge, taking over two shops some years ago, Artisti Uniti, of around ten artists. It was shortlived but quickly followed by the Borgo degli Artisti, whose initial group had a dream to create a hamlet of artists, inspired by Greenwich village in New York! The Borgo degli Artisti took the initative to fix up the derelict garden of Villa Fiori, making it a gorgeous place to have a painting event in mid July, attracting nearly 100 artists for the day to paint all along the river and now they also have sagras on that day and other days throughout the year and have a little gallery on the bridge that displays their members’ works year around.
Since the Borgo degli Artisti started, La Rondine Gallery, an artist run space, showing international artists throughout the summer months has opened in two beautiful shops on one of the small piazzas. To add to the general feeling of excitement, a photography gallery directed by Kevan Halson is opening a few doors up from La Rondine and will feature the works of international photographers.
After our informal ideas meetings with our philanthropist friend who donated a substantial offering to the cause, the enormous job of putting together the Bagni di lucca Art Festival, was placed in Jaqueline’s hands. Jaqueline is our daughter-in-law married to our eldest son, Jacob. Her mother has a smile that would light the sun, while her father is a politician in Cape Verde, and we’ve decided upon this knowledge that the apple doesn’t fall far from the tree. She is extremely talented dealing with so many artists and cajoling so many people to donate their empty shops, encouraging everyone in the town to get out and work at cleaning them up. The feeling of anticipation is palpable. Already the festival, even in its first year, has legs that are running for success. Of course she is greatly supported by Jake, and the two of them have become a wonderful team.
In generous collaboration, the Borgo degli Artisti are delighted to have the art Festival take place throughout the Villa Fiori gardens. Starting at the beginning of July, there will be a marble hand carving sculpture symposium with international sculptors; music performances; opera; acrobatics; dancing. Plus, there are 7 or 8 empty shops that have been seconded and they will be artists’ studios/exhibition spaces/installations. These shops will rotate with artists over the entire summer, June through till September. The scrumptious old casino will be transformed in the summer for a piano recital of Lizst by one of Australia’s foremost pianists, Ronald Farren-Price, also for an opera from London and an opera from Lucca as well as a performance by Italy’s Al Maranca. It’s a growing happening and already people on the other side of the world are booking to come over to be here, enticed by beauty and culture and delightful traditions.
The Bagni di Lucca Art Festival is the manifestation of many dreams in the little town to see it thrive once more. After all, its historical interest has always been through the amazing artists and personages who have visited this town in the summer.
Water. Reflections of strength and beauty, transparent layering of leaves and stone, transposed by light immersing itself in the thousand crystals of marble and lying in wait in the luminous pond below. A feeling of quiet meditation in the whole exhibition. Jacob Cartwright has drawn inspiration for this series of photographs from his excursions walking through the marble mountains and disused quarries of Carrara and Pietrasanta.
The opening night at La Rondine, on 24th August, was hot and full to the brim with art lovers and friends, sipping on prosecco. It was an exhibition that constantly drew attention to itself, with guests engaging in the work, delighting in the painterly abstraction of stone and water despite it being the ‘first night’ when people are usually more happy to engage with one another.
Jacob’s photographs are large format and their subject benefits from the sense of space they create. In ‘Quarry Reflection 2’, the work feels ‘inky’, like an abstract etching, luscious thick black lines criss crossing each other over soft dark grey and deep forest green, white dashes, alleviating the heaviness. ‘Quarry Pond’ is a truly beautiful work of just the reflection without its life mirror. This piece is full of light and the colour is delicious in its painterly turquoise greens and blues. All the works in the series feel special, but I especially enjoy the more undefined and elemental works that keep you uncertain of whether they are a photograph, a drawing, a painting or an etching – it is only the art that matters.
This area is really interesting culturally. There are people starting to gather here with their marvellous gifts, proffering events that are supporting contemporary musicians and singers and acrobatic performances and visual artists and writers who are all possibly great. Bagni di Lucca is attracting not just artists but also sponsors and patrons and lovers of the arts.
Jake, our eldest son and married to Jaqueline, is part of several collectives of young musicians and performers. One of the groups was formed recently here in Benabbio, a village above Bagni di Lucca in a spectacular old villa, San Rocco. The collective is sponsored by Jason Beacon and it has been gathering musicians from the south of Italy; opera singers from Australia; guitarists from England and Australia; Jake is here too, himself a composer, musician and music producer, and of course many more talents are arriving daily. In one of the attic rooms of the villa, Jake and Jason have begun to build a private recording studio. A big sparse room of uneven walls and varying lengths and heights, and, untouched by the busy mayhem below, the studio has become a sanctuary to these delightful souls who are industriously creating music and albums to accompany the events that take place in the vast drawing room below. This collective in these beautiful surroundings in this rambling house full of eclectic and eccentric visitors, has a bohemian quality that one rarely finds and is truly lucky to have.
Last weekend we attended one of these cultural events, hosted by Jason and his lovely partner, Kasia, and Aengus (the resident artist). For 10 euros we had pasta and wine and one of the loveliest evenings of music we had had for a long time. Al Maranca was the feature of the night, accompanied for several of the songs by Jason with song and guitar and Jake on clarinet. A musician from down near Naples, Maranca’s music is influenced by the south and sounds really middle eastern, we even picked up hints of Pakistani music. He was really a one man band, flipping from instrument to instrument as he wanted them, setting up beats on his recorder and getting instant sound playback as he wove a magical layout of tones and amplification. The evening finished with wild exuberant dancing, Jake and Al jamming together, in a wonderful tease of lilting melody and drumming beat. The floors were trembling.
The next day we were back again to partake in more festivities. San Rocco had put on an exhibition of photos and old film footage from the local people showing the history of the area. It was such a hit with people coming from far and wide, nostalgic as they remembered. Jaqueline had set up a store of local books in one of the rooms and Aengus had an exhibition of his paintings and drawings. Aengus is an accomplished realist artist and lots of his talent is found in the seccos, (paintings on dry plaster walls rather than painting on fresh plaster walls – frescos), throughout the villa, giving elegant fantasy to, especially, the bedrooms. On this day, we discovered Jason to be a writer and were really delighted to be able to buy his book, just published, ‘The President, The Terrorist & The Torturer’ – sounds ghoulish, but we are told it is metaphysical and allegorical. So we look forward to some time in the evenings up in our little mountain house in Pieve, with peace and tranquility to peruse this other artistic element from one more of the creative people of Bagni di Lucca.